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Showing posts with label King Lear. Show all posts
Showing posts with label King Lear. Show all posts

Tuesday, April 12, 2011

Final Hub: Wrapping up Shakespeare and the Family



Focus:
My research focus started out as a filial analysis on Shakespeare's works. Once I realized "filial" was specific to parent-child relationship I thought I'd broaden my research to a familial analysis of Shakespeare. But then it felt too broad and overwhelming so I broke the familial analysis into five parts and then shortened it to three:

  • Love & Marriage
  • Tragedy in the Family
  • Filial: Parent-child Relationship 

Finally, when it boiled down to the wrapping up of the blog, I realized what my focused had turned into: Shakespeare and tragedy in the family. This focus encompasses some of his plays, biological information about Shakespeare's own life, and how responses to tragedy parallel between the modern family and the Elizabethan family


Thesis:
Familial relationships in Shakespeare's works parallel directly with his own life and the views of the time. I argue that the Elizabethan familial relationships are the same as today, and that we can use these relationships portrayed in Shakespeare's literature as tools to learn from the pitfalls and successes. 


Support/Evidence:
First, I began learning about the life of Shakespeare in Michael Wood's documentary "In Search of Shakespeare" and wrote about Shakespeare as a son, husband, and father in one, two, three and four parts.
Then I researched Elizabethan marriage in Bruce Young's Family Life in the Age of Shakespeare. I wrote about the three types of marriage in Elizabethan times that are illustrated in A Midsummer Night's Dream:  love, lust and companionate.
Next, I wrote about how families are central to most of Shakespeare's tragedies. Shakespeare used tragedy as a way to illustrate the values of family and how the bonds are strengthened through adversary. I referred to modern examples of tragedies that affect the family like the shooting in Brazil and the earthquake/tsunami in Japan. I also referred back to the biographical research I wrote about on Shakespeare and how when his son, Hamnet, died Shakespeare responded by mending the relationship he had with his father.
Shakespeare also illustrated through some of his plays that tragedies can tear families a part. Tragedy in Hamlet is a result of "family feelings" and Hamlet being forced to internalize those feelings. I mentioned a psychological study that concluded young people have a higher risk of suicide attempt when they've experience the death of a biological parent. Shakespeare also demonstrated how tragedy can further detriment a family had an affair after his son, Hamnet's, early death.
Finishing my research focus with King Lear, I discussed how King Lear actually portrays the ideal filial relationship. I used the example of Lear and his daughter, Cordelia's, reconciliation through repentance, forgiveness and unconditional love.


Conclusion:
Shakespeare's illustration of the family not only reflects Elizabethan society but modern society as well. Focusing on subjects such as tragedy, Shakespeare's characters become timeless and their issues hauntingly familiar. Because Shakespeare experienced tragedy in his family first-hand--a failure of father, a gun-shot possibly love-less marriage, and the death of a young child---his characters are genuine and their experiences are real. We can learn from much of what Shakespeare illustrates about families in his, plays, their successes and their failures. 


Monday, April 11, 2011

The Ideal Filial Relationship in King Lear

As I conclude my focus on the familial Shakespeare, I end with the play King Lear from which my research was inspired by. In King Lear, Shakespeare focuses on the filial relationships of Lear and Gloucester. "Lear and Gloucester are both flawed fathers who learn from what they suffer and are finally reconciled with a child they have mistreated" (Young 91)*.

"Though the play initially grounds the parent-child bond in nature, duty, and reciprocity, by the end, when Lear and Cordelia are reconciled, it becomes something of even greater value and significance." When Cordelia and Lear reconcile their relationship they use language of repentance, forgiveness and unconditional love. Cordelia asks for her father's blessing, and he kneels to ask for her forgiveness (Young 92).


King Lear, Act IV Scene VII 


Shortly after the father and daughter have been reunited, Cordelia is captured and hung. Because Shakespeare made their earthly relationship short-lived, perhaps he was alluding that the importance did not lie in physical manifestations. How tragic the ending may seem, Cordelia and Lear captured the essence of an ideal parent-child relationship, and maybe even any familial relationship. Cordelia asks her father, "Sir, do you know me?" and he admits that his foolishness, ignorance and skewed perspective had previously made that question difficult to answer. But now, he is aware of his flaws and humbly accepts his daughter, "I think this lady/To be my child Cordelia". Hand in hand, Lear asks for his daughters support and forgiveness "You must bear with me./Pray you now, forget and forgive. I am old and foolish." I believe this is the scene where Shakespeare speaks the most about family. We see that repentance, forgiveness and unconditional love are the vehicles through which we may truly know those we call family.

After a career of fame, wealth, and status Shakespeare returned home to live out the last days of his life. Having been an absent father, I assume that as Shakespeare wrote King Lear, 10 years before his death, that he longed for the day when he could ask his family for forgiveness and to accept him back into the home. This is probably more speculation than not, but if you watch, listen, read and truly see the familial relationships in Shakespeare's literature, there is no doubt of the feelings--whether they be longings, lofty ideals, or realities--for his family.






*Family Life in the Age of Shakespeare by Bruce Young